Exhibition design as act of direction towards a cultural convergence project

This proposal is focused on the exhibition design interpreted as a complex process task of exhibition development strategies for a cultural event: a process where the most specialized component is implemented only in relation to a “humanistic sensitivity” that includes different levels of practices and processes. The exhibition design project moves between the spatial conformation control of the environment and the definition of the exhibition instruments: to get it, implements an intense coordination of multiple disciplines related to each other and often complementary. As claimed in this proposal the exhibition design is a discipline made up of multimodal coordination practices of their own forms of expression: a “culture project convergent”. To support this definition will be compared a few case studies of italian projects, analyzed through interviews with the designers and curators, to highlight the problems and the final results of a round trip between “humanities” and a project aims to make possible different modes of narrative and vision.