The attribution to Orazio Fidani of a painting of Candaules and Gyges, based on the Histories of Herodotus, in the Museo Juan B. Castagnino in Rosario, Argentina, ascribed in earlier literature to Francesco Furini, prompts discussion of the subject of adultery in Florentine seventeenth-century art, and of the question of the sense of sight, explored in numerous contemporary paintings inspired by literature.

Orazio Fidani in Argentina e i peccati dell’occhio

R. Maffeis
2023-01-01

Abstract

The attribution to Orazio Fidani of a painting of Candaules and Gyges, based on the Histories of Herodotus, in the Museo Juan B. Castagnino in Rosario, Argentina, ascribed in earlier literature to Francesco Furini, prompts discussion of the subject of adultery in Florentine seventeenth-century art, and of the question of the sense of sight, explored in numerous contemporary paintings inspired by literature.
2023
Baroque aesthetics, Florentine painting, sight, adultery, artistic literature
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/1257569
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