The Artist Satirist and the Classical Epos: Giandomenico Tiepolo and the Trojan Horse This study reconsiders a remarkable but overlooked work by Giandomenico Tiepolo–the so-called Building of the Trojan Horse in the collections of the Wadsworth Atheneum Museum of Art at Hartford. Starting from a fresh look to the content, the author identifies a slightly different iconography, as well as the presence of an enigmatic self-portrait of the painter seen from the back. The possible precedents in the tradition of the artists' self-portraits in Venice are investigated, and an interpretation is offered in connection with the peculiar satirical themes of Gian Domenico's art.
L'artista satirico nell'epos: Giandomenico Tiepolo e il cavallo di Troia
Rodolfo Maffeis
2020-01-01
Abstract
The Artist Satirist and the Classical Epos: Giandomenico Tiepolo and the Trojan Horse This study reconsiders a remarkable but overlooked work by Giandomenico Tiepolo–the so-called Building of the Trojan Horse in the collections of the Wadsworth Atheneum Museum of Art at Hartford. Starting from a fresh look to the content, the author identifies a slightly different iconography, as well as the presence of an enigmatic self-portrait of the painter seen from the back. The possible precedents in the tradition of the artists' self-portraits in Venice are investigated, and an interpretation is offered in connection with the peculiar satirical themes of Gian Domenico's art.File | Dimensione | Formato | |
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2020_Maffeis_Tiepolo_SISCA.pdf
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