Contemporary Italian fashion combines the cultural, technical and technological DNA of tradition, breathing new life into it while tracing out its own, entirely original path. It is recognised as a point of excellence at the international level and yet it is typically represented by brands and designers who first made their mark in the 1990s, thus often neglecting its capacity for regeneration. Even so, true to its historic flair for self-organisation, a generation of new brands and new designers is slowly tracing out a reconfigured map of Italian fashion. This is thanks to the promotion of resources still to be found in Italy, but that have disappeared elsewhere – these include a form of pervasive design attitude, a legacy of material culture, small workshop networks, and peripheral industries. The exhibition intends to illustrate this by no means secondary phenomenon, analysing the language and nature of Italian fashion in the new millennium. It will thus examine the brands and designers that are creating a new map of the sector and a new fashion system. The exhibition illustrates the composite nature of Italian creativity and its ability to regenerate and work at all levels. This is why it looks not just at independent designers, but also at those that, in their own independent ways, have taken over the creative direction of both Italian and international brands. It pays particular attention to the many foreign designers who have chosen Italy as the place for their work and for the creation of their own collections and labels. The result is an extensive map that leads to an analysis of the languages of Italian fashion, thus compiling an authentic contemporary “vocabulary”. The New Vocabulary of Italian Fashion celebrates contemporary Italian brands and designers who have, in less than two decades, recovered and renewed the cultural and technical DNA of “made in Italy”, transcribing it into an original language. The exhibition is divided into three main sections, which covered a surface of more than 1200 sq. in the Galleria Aulenti at Triennale di Milano Museum. 1. VOCABULARY 2. NARRATIVES 3. BIOGRAPHIES

Il Nuovo Vocabolario della Moda Italiana

BERTOLA, PAOLA;LINFANTE, VITTORIO
2015-01-01

Abstract

Contemporary Italian fashion combines the cultural, technical and technological DNA of tradition, breathing new life into it while tracing out its own, entirely original path. It is recognised as a point of excellence at the international level and yet it is typically represented by brands and designers who first made their mark in the 1990s, thus often neglecting its capacity for regeneration. Even so, true to its historic flair for self-organisation, a generation of new brands and new designers is slowly tracing out a reconfigured map of Italian fashion. This is thanks to the promotion of resources still to be found in Italy, but that have disappeared elsewhere – these include a form of pervasive design attitude, a legacy of material culture, small workshop networks, and peripheral industries. The exhibition intends to illustrate this by no means secondary phenomenon, analysing the language and nature of Italian fashion in the new millennium. It will thus examine the brands and designers that are creating a new map of the sector and a new fashion system. The exhibition illustrates the composite nature of Italian creativity and its ability to regenerate and work at all levels. This is why it looks not just at independent designers, but also at those that, in their own independent ways, have taken over the creative direction of both Italian and international brands. It pays particular attention to the many foreign designers who have chosen Italy as the place for their work and for the creation of their own collections and labels. The result is an extensive map that leads to an analysis of the languages of Italian fashion, thus compiling an authentic contemporary “vocabulary”. The New Vocabulary of Italian Fashion celebrates contemporary Italian brands and designers who have, in less than two decades, recovered and renewed the cultural and technical DNA of “made in Italy”, transcribing it into an original language. The exhibition is divided into three main sections, which covered a surface of more than 1200 sq. in the Galleria Aulenti at Triennale di Milano Museum. 1. VOCABULARY 2. NARRATIVES 3. BIOGRAPHIES
2015
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/979666
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