The wealth of documentation stored in the Archives Piero Bottoni (1903-1977) of Politecnico di Milano, even almost completely unpublished, enhances the role of freehand drawing and travel notes in the architectural education of a master of the architecture of the Twentieth Century. There are many possible interpretations of the material keys with reference to its content: cultural, and theoretical foundations of the project, the subjects with their themes and contents, more personal, and also to the techniques and graphic style. In their whole the travel sketches of early studies disclose a surprising true portrait of the architect that he would have became.

Viaje como aprendizaje/aprendizaje como viaje: los carnés de Piero Bottoni.

IAROSSI, MARIA POMPEIANA;ROSSI, MICHELA
2014-01-01

Abstract

The wealth of documentation stored in the Archives Piero Bottoni (1903-1977) of Politecnico di Milano, even almost completely unpublished, enhances the role of freehand drawing and travel notes in the architectural education of a master of the architecture of the Twentieth Century. There are many possible interpretations of the material keys with reference to its content: cultural, and theoretical foundations of the project, the subjects with their themes and contents, more personal, and also to the techniques and graphic style. In their whole the travel sketches of early studies disclose a surprising true portrait of the architect that he would have became.
2014
El dibujo di viajes de los arquitectos. Actas del 15 Congreso de Espresiòn Grafica Arquitectònica La Palmas de Gran Canaria 22-23
9788490420997
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/816121
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