“Venustas. Composizione di tempi”

Planning venustas as dialogical superimposed of different times composed in a simultaneous way. The compositon of different temporal series determines the character of the aesthetics quality of contemporary city. The introduction of time dimension in the city's analysis re-interpretes the continuos evolution of urban events, in order to offer a new reserch instrument to the discipline of the urban plan it confronts itself with the venustas concept to allow its quality's determination. A way of composing not only with a diachronic logic but also with a sinchronic one.the simultaneity of composing different temporal city's architectures becomes the new aesthetics quality, the new venustas.