VR has revolutionized the traditional concept of the perspective visualization of the viewpoints, the composition and the perception of time and space. Moreover, it has generated a rupture with the precedent art forms, allowing the emergence of a new way of making art, a diverse style of creativity and above all, the crystallization of a revolutionary artistic language. Why has such a powerful media not achieved the stature nor extension of all its strength and vitality in the Art market? What are the causes?. Why has VR with its innovative techniques and great potential for generating revolutionary tendencies not been able to move forward with determination. What are the reasons? What are the factors that limit virtual reality from becoming a "front-line tendency" in the art field?
Da "real virtuality" alla Società della conoscenza: conoscenza, informazione, formati nell'era digitale
RONCHI, ALFREDO
2006-01-01
Abstract
VR has revolutionized the traditional concept of the perspective visualization of the viewpoints, the composition and the perception of time and space. Moreover, it has generated a rupture with the precedent art forms, allowing the emergence of a new way of making art, a diverse style of creativity and above all, the crystallization of a revolutionary artistic language. Why has such a powerful media not achieved the stature nor extension of all its strength and vitality in the Art market? What are the causes?. Why has VR with its innovative techniques and great potential for generating revolutionary tendencies not been able to move forward with determination. What are the reasons? What are the factors that limit virtual reality from becoming a "front-line tendency" in the art field?I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
