Over recent decades, design has increasingly been confronted with the need to reassess its theoretical foundations and operative frameworks in response to profound transformations in production systems, technological infrastructures, and cultural expectations. The long-dominant paradigm of standardization – historically central to both industrial efficiency and modernist design ideology – has progressively lost its capacity to account for emerging demands for differentiation, adaptability, and meaning. Within this critical context, Design for Customization positions itself as a rigorous contribution to contemporary design studies, addressing customization not as a pe- ripheral phenomenon, but as a key lens through which to reinterpret the evolving relationship between design, technology, and society. Rather than treating customization as a mere extension of mass production or as a market-driven strategy, this book frames it as a design paradigm with deep cultural and epistemological implications. Through a structured historical and theoretical analysis, the author traces the transition from standardized industrial models to sys- tems capable of managing variation as an integral design condition. DESIGN FOR CUSTOMIZATION 7 This shift is examined in relation to broader post-industrial transfor- mations, where value is increasingly produced through experience, identity, and participation. In doing so, the volume situates customi- zation within the core concerns of design studies, linking production logics to questions of authorship, agency, and the social construction of value. A distinctive contribution of the book lies in its treatment of digital technologies as design epistemologies rather than neutral instru- ments. Additive Manufacturing, Computational Design, and Genera- tive Artificial Intelligence are discussed as operative frameworks that reconfigure the design process itself, reshaping how form is generat- ed, negotiated, and materialized. The text moves beyond tool-centric narratives to emphasize how these technologies support new forms of design reasoning, enabling a shift from predefined typologies toward open, parametric, and generative systems. In this perspective, customization becomes not only a technical possibility, but a mode of thinking and designing. The empirical focus on the yacht industry offers a particularly in- sightful case study for design research. This sector, marked by strong craft traditions and conservative manufacturing practices, provides a critical ground for investigating the tensions between innovation and continuity, experimentation and risk aversion. The research presented demonstrates how hybrid digital workflows - integrating large-scale additive manufacturing with composite reinforcement and compu- tational modeling - can operate as instruments of design inquiry. The resulting prototypes function not merely as technical validations, but as research artefacts that reveal new relationships between form, process, and production culture. As such, the case study contrib- utes to a broader discourse on research-through-design and prac- tice-based knowledge in design studies. The volume also advances a reflective discussion on the evolving role of the designer. In an environment shaped by algorithmic pro- cesses and digitally mediated production, the designer’s agency increasingly shifts from the definition of singular objects to the construction of systems capable of generating controlled variation. This transformation challenges traditional notions of authorship and expertise, calling for new competencies that combine critical thinking, 8 PREFACE technological literacy, and cultural awareness. Design for Customi- zation articulates this shift with clarity, offering valuable insights for both design education and professional practice. In a research landscape where debates on digitalization, sustain- ability, and customization are often fragmented across disciplinary boundaries, this book stands out for its coherence and systemic vision. It addresses scholars, educators, and practitioners engaged in design research, providing conceptual tools and methodological per- spectives to critically engage with contemporary design challenges. Ultimately, the volume contributes to design studies by framing customization as a central condition of present and future design practice, rather than as an exception to established industrial norms.
Systemic Impacts and Implications Driven by Technological Innovation
Arianna Bionda
2026-01-01
Abstract
Over recent decades, design has increasingly been confronted with the need to reassess its theoretical foundations and operative frameworks in response to profound transformations in production systems, technological infrastructures, and cultural expectations. The long-dominant paradigm of standardization – historically central to both industrial efficiency and modernist design ideology – has progressively lost its capacity to account for emerging demands for differentiation, adaptability, and meaning. Within this critical context, Design for Customization positions itself as a rigorous contribution to contemporary design studies, addressing customization not as a pe- ripheral phenomenon, but as a key lens through which to reinterpret the evolving relationship between design, technology, and society. Rather than treating customization as a mere extension of mass production or as a market-driven strategy, this book frames it as a design paradigm with deep cultural and epistemological implications. Through a structured historical and theoretical analysis, the author traces the transition from standardized industrial models to sys- tems capable of managing variation as an integral design condition. DESIGN FOR CUSTOMIZATION 7 This shift is examined in relation to broader post-industrial transfor- mations, where value is increasingly produced through experience, identity, and participation. In doing so, the volume situates customi- zation within the core concerns of design studies, linking production logics to questions of authorship, agency, and the social construction of value. A distinctive contribution of the book lies in its treatment of digital technologies as design epistemologies rather than neutral instru- ments. Additive Manufacturing, Computational Design, and Genera- tive Artificial Intelligence are discussed as operative frameworks that reconfigure the design process itself, reshaping how form is generat- ed, negotiated, and materialized. The text moves beyond tool-centric narratives to emphasize how these technologies support new forms of design reasoning, enabling a shift from predefined typologies toward open, parametric, and generative systems. In this perspective, customization becomes not only a technical possibility, but a mode of thinking and designing. The empirical focus on the yacht industry offers a particularly in- sightful case study for design research. This sector, marked by strong craft traditions and conservative manufacturing practices, provides a critical ground for investigating the tensions between innovation and continuity, experimentation and risk aversion. The research presented demonstrates how hybrid digital workflows - integrating large-scale additive manufacturing with composite reinforcement and compu- tational modeling - can operate as instruments of design inquiry. The resulting prototypes function not merely as technical validations, but as research artefacts that reveal new relationships between form, process, and production culture. As such, the case study contrib- utes to a broader discourse on research-through-design and prac- tice-based knowledge in design studies. The volume also advances a reflective discussion on the evolving role of the designer. In an environment shaped by algorithmic pro- cesses and digitally mediated production, the designer’s agency increasingly shifts from the definition of singular objects to the construction of systems capable of generating controlled variation. This transformation challenges traditional notions of authorship and expertise, calling for new competencies that combine critical thinking, 8 PREFACE technological literacy, and cultural awareness. Design for Customi- zation articulates this shift with clarity, offering valuable insights for both design education and professional practice. In a research landscape where debates on digitalization, sustain- ability, and customization are often fragmented across disciplinary boundaries, this book stands out for its coherence and systemic vision. It addresses scholars, educators, and practitioners engaged in design research, providing conceptual tools and methodological per- spectives to critically engage with contemporary design challenges. Ultimately, the volume contributes to design studies by framing customization as a central condition of present and future design practice, rather than as an exception to established industrial norms.| File | Dimensione | Formato | |
|---|---|---|---|
|
2026_Design4custo_FA.pdf
accesso aperto
Descrizione: chapter
:
Publisher’s version
Dimensione
646.92 kB
Formato
Adobe PDF
|
646.92 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


