The haunted house occupies a peculiar position in the history of archi- tecture and cultural imagination. Unlike castles, ruins, cemeteries, or remote landscapes, the house belongs to the sphere of everyday life. It is the architectural type most closely associated with shelter, domesticity, familiarity, and stability. Precisely for this reason, its transformation into a place of fear produces such a powerful effect. From a strictly architectural perspective, there is nothing inherently frightening about a house. Fear emerges not from the physical structure itself, but from the meanings that become attached to it over time. The haunted house is therefore best understood not as a supernatural object but as a cultural and spatial construct in which architecture, memory, and perception interact.

Haunted houses and the architecture of fear space, memory, and the construction of the uncanny

M. Turinetto
2024-01-01

Abstract

The haunted house occupies a peculiar position in the history of archi- tecture and cultural imagination. Unlike castles, ruins, cemeteries, or remote landscapes, the house belongs to the sphere of everyday life. It is the architectural type most closely associated with shelter, domesticity, familiarity, and stability. Precisely for this reason, its transformation into a place of fear produces such a powerful effect. From a strictly architectural perspective, there is nothing inherently frightening about a house. Fear emerges not from the physical structure itself, but from the meanings that become attached to it over time. The haunted house is therefore best understood not as a supernatural object but as a cultural and spatial construct in which architecture, memory, and perception interact.
2024
979-12-5991-665-5
space, architecture, buildings, design, project
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/1317966
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