This volume examines the construction of the cemetery of Somma Lombardo, designed by Carlo Maciachini (1877–1878), exploring the cultural context in which it originated and the circumstances that subsequently led to its alteration and expansion, based on designs by Giovanni Battista Bossi (1914–1924), during the first half of the twentieth century. Previously unpublished archival sources provide insights into both the overall architectural schemes and the designs of individual family funerary chapels, which brought several prominent architects and artists to the site, including Gaetano Moretti, Enrico Astorri, and Ugo Monneret de Villard, alongside Bossi himself.
Il volume illustra la costruzione del cimitero di Somma Lombardo condotta su progetto di Carlo Maciachini (1877-1878), la cultura che lo ha prodotto e le circostanze che lo hanno alterato per ampliarlo, su disegno di Giovanni Battista Bossi (1914-1924), nel corso della prima metà del secolo XX. Fonti inedite guidano dentro le pieghe dei progetti d’insieme ma anche di quelli delle edicole di famiglia che portarono in loco oltre a Bossi anche Gaetano Moretti, Enrico Astorri, Ugo Monneret de Villard.
Costruire memoria. Il cimitero di Somma Lombardo tra Otto e Novecento.
michela marisa grisoni
2025-01-01
Abstract
This volume examines the construction of the cemetery of Somma Lombardo, designed by Carlo Maciachini (1877–1878), exploring the cultural context in which it originated and the circumstances that subsequently led to its alteration and expansion, based on designs by Giovanni Battista Bossi (1914–1924), during the first half of the twentieth century. Previously unpublished archival sources provide insights into both the overall architectural schemes and the designs of individual family funerary chapels, which brought several prominent architects and artists to the site, including Gaetano Moretti, Enrico Astorri, and Ugo Monneret de Villard, alongside Bossi himself.| File | Dimensione | Formato | |
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Grisoni Costruire memoria.pdf
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