The overproduction of goods and its implications, such as excessive energy consumption and use of natural resources, is leading the world's population into an era of unpredictability and global crises at different levels. In this context, interest in developing sustainable design solutions has increased considerably. However, it is still necessary that designers adopt practices that enable them to drive design for the healing and regeneration of the ecosystem. This article argues that incorporating a materials design perspective into the design process expands creativity and the possibilities of responsible design for the improvement of the environment. Through a case study from the field of fashion design, this paper illustrates and discusses the benefits of including the materials design viewpoint and how it can be implemented. This work highlights and demonstrates how recognised approaches in this field, such as DIY materials and tinkering, can be considered a source of inspiration for circular production and regenerative design.

Materials Design for a Positive Ecological Impact: A Case Study in the Fashion Field

S. S. Duarte Poblete;N. Guarino;V. Rognoli
2024-01-01

Abstract

The overproduction of goods and its implications, such as excessive energy consumption and use of natural resources, is leading the world's population into an era of unpredictability and global crises at different levels. In this context, interest in developing sustainable design solutions has increased considerably. However, it is still necessary that designers adopt practices that enable them to drive design for the healing and regeneration of the ecosystem. This article argues that incorporating a materials design perspective into the design process expands creativity and the possibilities of responsible design for the improvement of the environment. Through a case study from the field of fashion design, this paper illustrates and discusses the benefits of including the materials design viewpoint and how it can be implemented. This work highlights and demonstrates how recognised approaches in this field, such as DIY materials and tinkering, can be considered a source of inspiration for circular production and regenerative design.
2024
Cumulus Beijing CAFA 2023. Proceedings of the Parallel Conference
978-952-7549-04-9
materials design, fashion design, DIY Materials, circularity, Design for Sustainability
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/1288726
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