Over sixty years of Domus archive gives us the portrait of a polyhedral figure who has challenged technology to assert that architecture is (also) a work of art.

Frank Gehry through the pages of Domus, between cheapscape, Fondation Vuitton and the Bilbao effect

G. Semprebon
2024-01-01

Abstract

Over sixty years of Domus archive gives us the portrait of a polyhedral figure who has challenged technology to assert that architecture is (also) a work of art.
2024
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/1259654
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