L'architettura è un gesto. Ludwig Wittgenstein architetto [Architecture is a Gesture: Ludwig Wittgenstein, architect] Daniele Pisani. Quodlibet Studio, 2011 (261 pp., € 28) With great earnestness, Daniele Pisani tells the story of the Kundmanngasse house, designed by Paul Engelmann and Ludwig Wittgenstein, and built by Wittgenstein in the period from 1926 to 1928. Pisani quietly puts together all the pieces necessary for understanding the house and its role in the evolution of Wittgenstein's thought. He accurately describes the philosopher's biography as well as that of his sisters who were involved in the project (Margaret, but also Hermine), providing us with information about the Wittgenstein family and the political and cultural situation in Vienna at the time. He reconstructs the era's architectural debate in which the story of the house is (reluctantly) placed. The quiet tone and the accuracy of the story help eliminate the many legends that have accumulated over time about the house. The Kundmanngasse house is in fact a favourite subject for architects' philosophical dilettantism (second to this is only the exegesis, "Building, Dwelling, Thinking" by Martin Heidegger) as well as for philosphers' architectural dilettantism (think of the crazy interpretations that see in the house a petrified philosophy, a logic transformed into a house—hausgewordene Logik ).

Una casa è una casa: l'architettura è un gesto

Pier Paolo Tamburelli
2011-01-01

Abstract

L'architettura è un gesto. Ludwig Wittgenstein architetto [Architecture is a Gesture: Ludwig Wittgenstein, architect] Daniele Pisani. Quodlibet Studio, 2011 (261 pp., € 28) With great earnestness, Daniele Pisani tells the story of the Kundmanngasse house, designed by Paul Engelmann and Ludwig Wittgenstein, and built by Wittgenstein in the period from 1926 to 1928. Pisani quietly puts together all the pieces necessary for understanding the house and its role in the evolution of Wittgenstein's thought. He accurately describes the philosopher's biography as well as that of his sisters who were involved in the project (Margaret, but also Hermine), providing us with information about the Wittgenstein family and the political and cultural situation in Vienna at the time. He reconstructs the era's architectural debate in which the story of the house is (reluctantly) placed. The quiet tone and the accuracy of the story help eliminate the many legends that have accumulated over time about the house. The Kundmanngasse house is in fact a favourite subject for architects' philosophical dilettantism (second to this is only the exegesis, "Building, Dwelling, Thinking" by Martin Heidegger) as well as for philosphers' architectural dilettantism (think of the crazy interpretations that see in the house a petrified philosophy, a logic transformed into a house—hausgewordene Logik ).
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11311/1100053
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